CJames
101 posts
Jan 07, 2010
7:16 AM
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My first Seydel is on its way! - exciting, no?
Solist Pro in G
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toddlgreene
363 posts
Jan 07, 2010
7:26 AM
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Hoping I win that contest...I too will get a solist pro, probably, if not a low-tuned Session. Never played a Seydel yet.
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~Todd L. Greene
crescentcityharmonicaclub@gmail.com
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CJames
102 posts
Jan 07, 2010
7:32 AM
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Ah yes, me too! I was drawn between a few seydels, not sure what made me settle on the solist pro
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toddlgreene
364 posts
Jan 07, 2010
7:33 AM
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I like how they've finished the comb and rounded out the holes, for one.
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~Todd L. Greene
crescentcityharmonicaclub@gmail.com
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CJames
103 posts
Jan 07, 2010
7:42 AM
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Yeah that may have been what intrigued me actually, I was looking for a different style mouth piece. experimenting in comfortability and what not
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toddlgreene
365 posts
Jan 07, 2010
7:45 AM
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for the reasonable price they sell for, you're getting one of the main things that make custom MBs enjoyable in the sealed and shaped comb, and then some. I know it won't be the be all, end all harp, as I'm sure I'll wanna tweak it some, but I'm excited to try it out. My good friend has several 1847s, and I like the workmanship I've seen in those.
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~Todd L. Greene
crescentcityharmonicaclub@gmail.com
Last Edited by on Jan 07, 2010 7:46 AM
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CJames
104 posts
Jan 07, 2010
7:56 AM
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do the 1847s sound anything like the marineband? The tone is awesome sure but it's just not 'my' sound you know?, so i'm trying to stay away from that area for now. Peole change and so do preferences later but for now...
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CJames
105 posts
Jan 07, 2010
7:59 AM
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do the 1847s sound anything like the marineband? The tone is awesome sure but it's just not 'my' sound you know?, so i'm trying to stay away from that area for now. Peole change and so do preferences later but for now...
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Ant138
253 posts
Jan 07, 2010
10:01 AM
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I love the Seydel Solist Pro, its my harp of choice now along with the 1847 , never had a bad one.
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nacoran
708 posts
Jan 07, 2010
10:49 AM
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I have a Blues Favorite. It is the most comfortable harp I've ever played. Just the different shape the cover makes a huge difference. It's also incredibly airtight. There is a trick where you close off the back of your harp with you hands, press the harp to your face and play a low note. If you do it right you can force air back into the harp and sound one of the high draw reeds. This thing is so tight I can do that almost effortlessly. I can even get a high blow not on a low draw.
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