jansman
17 posts
Feb 10, 2022
4:29 PM
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I wanted to ask, is the 9 draw a difficult one (like the 2 draw)?
My 9 draw on a bunch of diatonics and even on the chromatic is problematic. Sometimes I hit it, sometimes it warbles, sometimes is goes out of tune, and sometimes is sounds like a dying wildebeest with laryngitis trying to yodel in old Flemish while being eaten by a mountain lion.
It seems sometimes I can hit it quick if my embouchure is tighter, and I draw harder from deep in my stomach.
Does anyone know if there are any materials for this?
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jansman
18 posts
Feb 11, 2022
7:54 PM
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Actually, SuperBee, that is a help. Based on your advice, I'm attempting to understand the times when I get it and the times when I don't, and experimenting with improving my embouchure. Right now I'm trying to round it more tightly while keeping my lips more relaxed together with a sharper intake of breath. It's going to take some practice. Maybe I'll look for the Bright Lights Big City tab and use it.
Thank you!!!
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Spderyak
393 posts
Feb 12, 2022
9:02 AM
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I love the description of the "..wildebeest with laryngitis...."
When I'm checking to see if any of the notes are being difficult. I use one breath on the blow notes and the same with the draw notes.
So for example starting on the one I blow the one and slide on up to the 10.
Same for the draw I start on 1 draw slide up to 10 draw. All the notes should respond.
In earlier days ! used to blow or draw one note at a time kind of like 10 separate puffs of air or 10 separate draws and could never tell if it was me or the harp behaving properly.
These days in my playing I try for the first method and only change the force of the breath if I'm trying to add particular dynamics to a song.
Hope I described that okay and didn't add to any confusion. I usually use "Walters Boogie" for my go to song for a point of reference.
I like the "harmonica for dummies" books as a nice source of info. and various examples.
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jansman
19 posts
Feb 13, 2022
5:35 PM
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Spderyak, in the light of what you said I realize that I tend to modify my draw based on the resistance I feel. -10 can be hard so I do it more sharply. If I go from -10 to -9 then I tend to get the -9. -8 isn't so hard, so if I go from -8 to -9 I tend to miss the -9.
It seems that I should be attempting a consistent breathing force regardless of the hold, draw or bend?
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Spderyak
394 posts
Feb 14, 2022
5:40 AM
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I would say yes for the most part. I used to think I needed to have a 5 pound weight in my jaw to draw a note down. You know when you hear a catchy tune and you start humming along. It's not the force of how hard or soft you hum that makes the tune catchy it's the rhythm & phrasing. Kind of along that idea.
I used to clench up my mouth super tight when I went to the high notes for some reason. It was like hitting a panic button every time I went up there. No reason to it but was all in my head. I had to learn to relax up there.
Also I noticed that when playing a tune I would actually drop my arm on that side and the harp was pulling away from my mouth so I was just getting squeaky kind of notes. There were plenty of times I would find myself tipping the harp into my mouth one way or the other so I was often choking out the note by not hitting the hole fully.
Lots of good info out there from far better players than myself but I think that is a common theme as a rule of thumb.
And of course have some fun playing !
Last Edited by Spderyak on Feb 14, 2022 6:19 AM
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jansman
20 posts
Feb 14, 2022
3:50 PM
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Hey, Spderyak, thanks! Based on what you've said, and what other players have said, and my own experience, I'm understanding that everyone goes through their own unique path with this instrument.
All the same, I've approached my recent practice with some adjustments based on what you guys have said.
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jansman
21 posts
Mar 01, 2022
12:51 PM
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It does! Wouldn't ya' know that playin' harp is like doin' Yoga or Chi Kung?
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jansman
29 posts
Dec 20, 2023
12:06 AM
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